Denver Post photograher wins NPPA BOP award

A gunman slipped into a midnight premiere of the new Batman movie through an emergency exit, tossed two hissing gas canisters and then methodically, calmly walked up the aisle firing, killing 12 people and wounding 70. It was among the worst mass shootings in American history. Tom Sullivan, center, embraces family members outside Gateway High School where he has been franticly searching for his son, Alex Sullivan, who saw "The Dark Knight Rises," in the movie theater where a gunman opened fire Friday, July 20, 2012, in Aurora, CO. Photograph by RJ Sangosti, The Denver Post

RJ Sangosti of The Denver Post was named the National Press Photographers Association's Best of Photojournalism 2013 Photojournalist of the Year in the larger market. Sangosti is most known for his photo from the Aurora theatre shooting over the summer.

When Sangosti got the call to learn that he'd won the title, Sangosti said, "It's been a hard year. But this is very flattering and humbling. I look at Tyler [Hicks] and Damon [Winters] work every day. Both of them are amazing."

Sangosti credits the advances the Denver Post has made on their website in terms of photography. "Photography has become really important to the Web site," Sangosti said, "in these days when the print product takes a bow to the Web, and on the Web photographs are really important, maybe it makes the newsroom approach things a little differently now than maybe they did before."

From the Pros: How to get the perfect portfolio

Photography consultant Jim Colton recently published part 1 of a 3 part series called "The Perfect Portfolio: A Photographer's Guide." Colton was the photography editor of Sports Illustrated and has previously worked for the Associated Press and Newsweek.

He stressed 10 key points to focus on to achieve the ultimate portfolio. The biggest dilemma is creating a portfolio that is marketable and showcases their "photographic soul."



1. Be original. Show creativity in your thought process to be different from everyone else. Colton stresses that "imitation is NOT the sincerest form of flattery."

2. Content is King. Make sure your content is better than anyone elses. Since nobody wants to buy an inferior product, make sure your work reflects you and is your calling card.

3. Editing. “Your portfolio is only as good as your weakest picture!” With that in mind, keep your emotions out of it and only show your best work.

4. Quality. You need to follow the basic rules and make sure all your photos are appropriately exposed, toned, cropped, and captioned.

5. Personal Project or story. This part of the portfolio is key because it shows the photographer can tell a story all the way through with a beginning, middle, and end. Also it shows that the photographer can shoot a subject with variety of lenses and angles.

6. Portraits. Portraits are a key part of a photographers portfolio. If you are good at all portraits, sports, business, daily life, then it will help you land more freelance opportunities. They should be an equal balance of creativity and newsworthiness.

7. Clips. You should have PDF copies of publications that your photo ran in. It shows what editors think of your work and how they play them on a page. A 6 column photo says more than a 1 inch photo that ran the size of a postal stamp.

8. Promo Cards. Promo cards are an underutilized tool when it comes to promoting your work. Cards should have all of your contact information in an easy to read format.

9. Digital vs. Print Products. Both your hard copy portfolio and website need to be equally strong and impactful. They should both easily convey the strength of your work and be able to get you a job.

10. Keep it Current. Your portfolio should always be changing because ideally you should always be producing better work. Don't become emotionally attached to photos and know when it is time to replace one.

Preparing your portfolio

The New York Times photo blog, Lens, recently published a video, seen here, of Santiago Lyon of the Associated Press giving a talk on Preparing Your Portfolio at the New York Portfolio Review. The talk was sponsored by the New York Times and was hosted by CUNY Graduate School of Journalism.

Lyon stressed that students need to recognize that your portfolio is your calling card.

He highlighted the four main points he is looking for in a portfolio:

1. Strong News photos, 12-25, maybe 30.  They don't have to from big stories. No matter what you have to prove you can document a fast-moving situation under deadline and keep your cool.

2. Sports. In the US 75% of an AP photographers time is spent shooting sports. There needs to be a solid mix of action, fans, and atmosphere.

3. Standalone feature photos. Try to be original and show your creativity. The goal is to show the ordinary in an unordinary way.

4. Long term feature story. 12-20 photos. This shows the photographer can establish a relationship and tell a story. Find your beginning and end to the story first and them everything else will come together.

You need enough photos to show them what you're capable of doing. You shouldn't have too many for an editor to get bored but not too few to make them think you don't have enough.

Personally the note I found most helpful was to photograph passionately but edit dispassionately. Separate yourself from what you went through to make that photo. You can bring in other people if necessary so you don't become emotionally attached to your photos.

And finally you need to always be on assignment. Even for yourself. Shoot something your interested and keep yourself "visually fit:" You need to be as comfortable using your camera as a musician is using their instrument and constantly producing content.